Publications

Publication List

Monographs and edited volumes

2020 Everyone Loves Live Music: A Theory of Performance Institutions. Chicago and London: University of Chicago Press.

2019 A Better Place for Music: The Social Study of Musical Performance Institutions. Dissertation submitted for the higher doctoral degree.

2017. The Oxford Handbook of Popular Music in the Nordic Countries, co-edited with Antti-Ville Kärjä. Oxford and New York: Oxford University Press.

2013 Musical Performance and the Changing City: Post-Industrial Contexts in Europe and North America, co-edited with Carsten Wergin. New York and London: Routledge.

2011 Autonomy and Creative Labour, special issue co-edited with F. Lapenta, Journal for Cultural Research 14 (3).

2007 Genre in Popular Music. Chicago: University of Chicago Press.

2001 The Cool Tradition in Jazz. Ph.D. Dissertation. University of Copenhagen.

Peer-reviewed articles and chapters

2018 "Cinematic Televisuality in an Electronic Dance Music Festival." In: TransVisuality: The Cultural Dimension of Visuality (Volume 3): Purposive Action: Design and Branding, ed. by A. Michelsen and F. Wiegand and contributions by T. Kristensen.

———"Music Festival Video: A "Media Events" Perspective on Music in Mediated Life," Volume! 14 (2): 202-210.
2017. “EDM Pop: A Soft Shell Formation in a New Festival Economy.” In: Weekend Societies, ed. G. St. John. London: Bloomsbury.

———"Introduction: Music in a Globalizing Region." In: The Oxford Handbook of Popular Music in the Nordic Countries, ed. by F. Holt and A.-V. Kärjä. Oxford and New York: Oxford University Press.
———“Nordic Modernity and the Structure of the Musical Landscape.” In: The Oxford Handbook of Popular Music in the Nordic Countries, ed. F. Holt and A.V. Kärjä. Oxford and New York: Oxford University Press.

2016. “New Media, New Festival Worlds: Rethinking Cultural Events and Televisuality through YouTube and the Tomorrowland Music Festival.” In: Music and the Broadcast Experience: Performance, Production, and Audiences, ed. James Deaville and Christina Baade. Oxford and New York: Oxford University Press, pp. 275-292.

———“Jazz and the Politics of Home in Scandinavia.” In: World Jazz — Jazz Worlds, ed. P. Bohlman and G. Plastino. Chicago: University of Chicago Press, pp. 51-78.

2015 “The Evolution of Corporate Sponsorship in Sensitive Cultural Spheres: Lessons from a Culture-Producing Marketing Unit,” pp. 255-288. In: Prekäre Genres: Zur Ästhetik peripherer, apokrypher und liminaler Gattungen, ed. H. Berger, F. Döhl, T. Morsch. Bielefeld: Transcript Verlag (Edition Kulturwissenschaft No. 56), pp. 255-288.

———“Can Anyone Be a Designer? Amateurs in Contemporary Fashion Culture.” Artifact 3 (4): 6.1.-6.10 (5500 words).

2014 “Music in New Media.” In: The Routledge Companion to Music and Visual Culture, ed. T. Shephard and A. Leonard, pp. 301-311. New York and London: Routledge.

———“Rock Clubs and Gentrification in New York City: The Case of the Bowery Presents,” IASPM@Journal 4 (1), special issue on performance: 21-41.

———“Copenhagen.” In: Grove Music Online, ed. S. Sadie and J. Tyrell. Oxford and New York: Oxford University Press.

2013 “The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York.” In: Musical Performance and the Changing City: Post-industrial Contexts in Europe and the United States, by F. Holt and C. Wergin. New York and London: Routledge.

———(with F. Lapenta) “The Social Experience of Cultural Events: Conceptual Foundations and Analytical Strategies.” In: Handbook on the Experience Economy, ed. J. Sundbo and F. Sørensen. Cheltenham: Edward Elgar Publishing, pp. 363-380.

2012 “Introduction: Musical Performance and the Changing City.” In: Musical Performance and the Changing City: Post-Industrial Contexts in Europe and North America, ed. F. Holt and C. Wergin. New York and London: Routledge.

2011 “Is Music Becoming More Visual?” Special issue titled “Locative Media and the Digital Visualization of Space, Place and Information,” Visual Studies 26 (1): 50-61.

2010 “The Economy of Live Music in the Digital Age.” European Journal of Cultural Studies 23 (10): 243-261.

———(with F. Lapenta) “Introduction: Autonomy and Creative Labor,” Journal for Cultural Research 14 (3): 223-229.

2008 “A View from Popular Music Studies: Genre Issues. In: The New (Ethno)musicologies, ed. H. Stobart. Lanham, Maryland: Rowman & Littlefield Education, 40-47.

———“World Music.” In: Oxford Encyclopedia of the Modern World: 1750 to the Present, ed. Peter N. Stearns. Vol. 8. Oxford and New York: Oxford University Press.

2007 “Kreuzberg Activists: Musical Performance as Social Vehicle,” Popular Music & Society 30 (4): 469-492.

2006 “Across the Atlantic: Acculturation and Hybridization in Jazz and the African Diaspora,” Jazzforschung / Jazz Research 38: 11-23.

———“Popularmusik und Jazzmodernismus nach Elvis.” In: Verrat!!! … oder Chance?: Der Jazz und sein gespaltenes Verhältnis zur Popularmusik (= Darmstädter Beiträge zur Jazzforschung), ed. W. Knauer. Hofheim: Wolke Verlag, 2006. s. 61-73 (Darmstädter Beiträge zur Jazzforschung, Vol. 9).